Sunday 31 December 2017

PRIYALASYA - JANUARY 2018 - NEWSLETTER


We now enter a new calendar year. The Margazhi season is with us to guide into 2018 and we all are happy that the year 2017 gave us a wonderful season. Another good news that came about was that Chennai  now has got international recognition and inclusion in the form of UNESCO Creative Cities Network for its rich musical tradition.

Prime Minister Narendra Modi tweeted, congratulating the city: “Chennai’s contribution to our rich culture is precious. This is a proud moment for India.” Here is the news reportA total of 64 cities from 44 countries have joined the UNESCO Creative Cities Network, the organisation’s website said.

The season that we are experiencing has also brought in analytical and intense debates on various issues concerning the art. Some of them were about the very traditions that helped evolve classical dance Bharatanatyam, the need to respect the origins and to recognize the contributions of Devdasi community. 

We included some news that dimensions the scope of Bharatanatyam in the News-Bits section. Feel free to forward your opinions, thoughts and views. 

PRIYALASYA - MARGAZHI PERFORMANCES SECTION





MADHURIMA NARLA


DEVIKA



SOUMYA TILAK SESHADRI


NISHAGANDHI

***********

CHITHKALA

PRIYALASYA - CLASSICAL DANCE SNIPPETS - PRACHEETI DANGE


The headgear adorned by the Odissi dancer is full of symbolism 

The flowers at the back represent the kadamb flowers which are said to be a favourite of Lord Krishna, the presiding deity in Odissi. The buds on the side represent the sun rays, 
While the centre piece represent the Jaganath Puri Temple tower

#myodissiodyssey 
PC: @Tim Dennell

Surrender Through Art..




Surrender through art allows a surreal euphoria to engulf one's being. An experience made possible only through the guiding light and knowledge of a Guru, grateful to be a disciple of Padmashree Ranjana Gauhar ji who makes it possible - Vrindha Chadha. 

PRIYALASYA -ARTIST SPACE SECTION - POOJA HIRWADE

Saturday 23 December 2017

PriyaLasya - NewsLetter - December 2017


PRIYALASYA - MARGAZHI SCHEDULES SECTION




JANAKI RANGARAJAN
PRATEEKSHA KASHI


DANCE FESTIVAL
THE MUSIC ACADEMY, MADRAS
SEASON 2018

VEMPATI MARGAZHI UTSAV 2017
RAGINI CHANDRASHEKAR
BHAVYA RAMACHANDRAN
Meenakshi Srinivasan
Kuchipudi - Mosalikantis
Natya Kala Conference - December 2017
MADHURIMA NARLA
KSHITHIJA KASARAVALLI
MANASVINI KR

PRIYALASYA - MARGAZHI - SOME INDIVIDUAL PERFORMANCES 
Mohiniyattam Recital
SREELAKSHMI NAMBOOTHIRI
International Sree Sankara Dance and Music Festival 2017 
DATE: 23rd of December- Saturday at 5:00pm
 Town/ City : Kalady




PRIYALASYA - ARTICLES SECTION

Chennai Margazhi - Performance Opportunities For Other Classical Dance Forms


PRIYALASYA - SELECT TOPICS SECTION

Appointing Director for Kalakshetra Foundation
Discussions about Devdasi Tradition 


PRIYALASYA ARTICLES - LINKS

Everything Possible Within The Margam - Rama Vaidyanathan knows how to infuse freshness into the traditional repertoire - The Hindu




 PriyaLasya, (C), Do Not Copy, Copyrights Acknowledged, Worldwide Indian Classical Dance Initiative

Wednesday 22 November 2017

PriyaLasya - NewsLetter - November 2017



November 2017

Articles:
Movements in Bharatanatyam

 
Movements in Bharatanatyam - A Thought & Few Queries - Janaki Rangarajan

Natya Parampara - Report : Srividya 


  Natya Parampara 

Natya Parampara




*******************************
PriyaLasya Artist Space:


**********

News of Interest

Review: Bending It Like Bharatanatyam By SIOBHAN BURKE - The New York Times

The Sunday Guardian-23-Sep-2017

Aptly referred to as the ‘adiguru’ of Odissi, Guru Pankaj Charan Das was the guru of all the founder-fathers of Odissi dance – Kelucharan Mohapatra, Mayadhar Raut and Debaprasad Das – apart from most of the next generation of Odissi gurus who are internationally known today. And ironically, he had been the most unsung Odissi legend.


*******************************************
Workshop Section
A Worldwide India Classical Dance Initiative



Pick Of The Month

Broken Seeds







PriyaLasya(C), Do Not Copy, Copyrights Acknowledged


Saturday 21 October 2017

PriyaLasya - Newsletter - October 2017

*******************************
News of Interest

'Bharatanatyam and ballet as dance forms are quite similar'

The Sunday Guardian-23-Sep-2017

For the love of Odissi

The Hindu-19-Oct-2017

Twenty one years ago, she left her home in Tokyo and came to India to establish a permanent link with the love of her life — Odissi

*******************************************
Event Section
A Worldwide India Classical Dance Initiative



Pick Of The Month

Sabda Manjari



Popular in October 2017

Tat Tvam Asi - Mad & Divine - Rama Vaidyanathan - October 2017 - Austin - TX





PriyaLasya(C), Do Not Copy, Copyrights Acknowledged


Saturday 9 September 2017

PriyaLasya - NewsLetter - September 2017



September 2017

Articles:
Rasa - Donovan Roebert

  Donovan Roebert - Rasa in Classical Dance

Bharatanatyam Review - Naveena:


 Shruti Parthasarathy



*******************************


PriyaLasya Artist Space:
Odissi: Anindita Nanda



**********
Opportunity
Dance Competition

Brahma Sadhana 2017





News of Interest:




*******************************************

A Worldwide India Classical Dance Initiative
Supported by Guru Parampara.. Guru Vandanam September 2017


PriyaLasya(C), Do Not Copy, Copyrights Acknowledged

Friday 28 April 2017

The World Dance Day – Year 2017 - Pandithar Sivakumar Perumal

The World Dance Day – Year 2017

Celebration of Joy, ecstasy  - Dance the medium to express inner self – the theme of dance, that unites all humanitarian races, as the World Celebrates another day in the Memoriam of the beautiful art – “ The World Dance Day”

Today dance is a social activity, which both relaxes and rejuvenates, having the power to impress upon and encourage a process of thinking amongst all, making people understand the best practices in life.

Transition of art over time has not been without heartaches too. One of the most decorated forms of expression of human emotions nevertheless traveled through a phase of social stigma, class and caste discrimination.

Withstanding all, it traveled through, faced all the odds with determination and reached the pinnacle of social acceptance. Each artist in himself or herself has put forth his/her self to be a part of a flow of the art from generation to generation.

When we come across the initiative of "dance as a healer," indeed it is a moment of pride for the art. Today, dance is the most respected of arts, and the strict discipline that goes into its learning is what eventually earns the artists, the respect for their hard work. This results from the fact that artists have made a place for the art in their hearts.

The beauty of this art which has dwelled since time was born has the unique aura that Captivates and Enthralls Human Imagination into a Physical or a Figurative Beauty that can be created through the medium of dance.

Dance today should be looked upon as an innovation, wherein the artists presentations are what they portray as a hypothesis situation of how beautiful our nature is, or how a complexity of life be resolved through application of simple virtues of Love and Kindness.

God created World, and God created Dance, so we the people of this World Express the beauty of nature and spread  love and harmony amongst fellow beings.
Today as we stand across a revolution of time, modernizations of lives and living, it is really commendable of those of you fellow artists that we still are able to carve a niche for the art to exist in this modern world, and I would say further that you all have not just stopped at finding a place for art, but through your humblest of efforts and your devotional dedication to the art of dance, today this art has been alleviated in the civil society and it won’t be an overstatement that time and art of dancing will go hand in hand.

As we celebrate the festival of joy of dance, we can ponder on few aspects that really co-exists amongst the laurels of art – ARE SOME FORMS OF DANCE SLIPPING AWAY INTO THE PAGES OF THE EPIC ART ? A question we can answer in affirmative for now and through our efforts, learn some lessons and try and Care and Conserve what we are left with today, may be in future times this question loses out it relevance, and yes we can make that happen.

A Year since the last World Dance Day, today we bear the loss of Legends to Time, a vacuum that has been created, lives that lived an art, breathed it and worked so hard to propogate the art, the loss of icons of  arts  Singer music composer M Balamuralikrishna, Mohiniattam Guru Kalamandalam Chandrika, Odissi Guru Kanduri Charan Behera,Bharatanatyam Guru Neila Sathyalingam, Bharatanatyam dancer Pandanallur Jayalakshmi,Manipuri Guru Ranjana Jhaveri, Kuchipudi Guru Uma Rama Rao, they will continue to live through their arts forever. We pay our homage to the legendary artists through our services to the art of dance, and seek their blessings.

One of the wonderful achievements of dance has been that common people are able to relate themselves to the art, this has been possible through concentrated efforts undertaken by artists who have taken up the task of Mainstreaming the art, beyond spirituality dance has been making concentrated efforts to imbibe the mankind, through the themes which are similar to the complex challenges of life. A word of thanks will be too little to pay gratitude for the artists who believe in spreading the art amongst the common people.
It is very well accepted fact today that dance as a carrier of messages on social issues have had greater acceptance and synthesis amongst the people who are a target recipient of such messages.

Dance’s feathered cap bears this one too – Dance as part of therapy, successfully proven, not just in healing, in health as well, dance has become an integral part of happy and healthy life. With the modern times the advancement in technology  human physical efforts are shrinking, this is leading to undesirable physical and health status, here too dance has stepped up to provide solutions not just the soul but the body as well.

Did we know the impact of classical music on growth of plants, the soothing effect has been researched further, the positive vibes it creates, it is a must to experience it. We are living in stressed times, and such music brings in calmness in our lives. The effects of listening to classical music is relaxation, your mind is freshened up , you do your best as students and in all spheres of life.

Over the period of time there are certain areas where we need to ponder to safe guard the authenticity of an art which is built on the premise of devotion, dedication, sincere practice and hard work. Thanks to individuals who bank upon the popularity of the art. In the age of instant gulab jamun mix, you have the possibility of becoming a performing artist just in no time. Hugely compromising on the very premises on which the art has built itself up. Going away from the traditional Guru Shishya Parampara, they are indeed doing a lot of harm for the aspirant as well as the art. Guru is a word these days is loosely used in some cases, you will find a learning guru who will teach you too, this phenomena is called earn while you learn, a dangerous thing for art. A dentist cannot be a ENT specialist, a dancer of one form if have not undergone the proper training and education should not become a teacher of another form. They can save the unsuspecting pupils. The ignorance of Parent’s cannot be blamed. Fast buck , we were struck no limits to learn things as they are happening, can you believe it a Rangapraveesham fee for an individual student is little less than 400,000/- demanded by their mentor, definitely they are their mentor if not in making them a artist but otherwise. Such huge fees per artist in a bunch of half a dozen artists, who will perform their Rangapraveesham together on the stage an event of 2 hours. Definitely an IPL player can be purchased with such sums of moneies. Some times we do come across signboards – “ Beware of touts”, well well. Cashical dance of India is how you spell Classical dance of India ?

Some dance programmes on T.V. do not keep the age of the participant, very young children are seen performing raunchy numbers in front of cheering audience. I would like to quote Pandit Birju Maharaj, talking at the 117th birth anniversary of Maulana Abul Kalam Azad, ICCR had organized a festival, “ The Spirit of Banaras”, Pandit ji critized dance shows on television , “ these dance shows do not teach anything , rather it takes them away from our rich culture.”

Looking back again how lives are getting enhanced due to art, we salute those who have choosen art over other career in these days of dual career, necessary for survival today , they are indeed doing a fine balancing act, a learning from practicing dance.

Our heart goes out to those who are  physically challenged. Their dedication and hardwork have been witnessed with the performances they are able to put up, we can hardly believe what our eyes witness, with their sheer dedication they can accomplish being a wonderful artists.

To all the artists we take this opportunity to Wish you all a Very Very Happy World Dance Day, further wish that in Company of the Art you have achieved the wonderful opportunity to serve God.

Thank you

Pandithar Sivakumar Perumal & Dr. Lakshmi Sivakumar




Unedited
PriyaLasya(C), Do Not Copy, Copyrights Acknowledged